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entry Mar 2007
The Bourbon
Tunnel—or—
"Quick, your majesty! Into the sewer!"
"I'll see you in the
tunnel!"
It
sounds like something out of Baroness Orczy's Scarlet
Pimpernel: the swish and rustle
of ballroom finery, swordplay and the shouts of revolutionaries running
through
the night, thrusting their flickering torches into any cubby-hole that
might shelter
a cowering nobleman; then, the storming of the royal palace, at
which point the king turns the trick candelabrum lever in the library
to move the wall panel and flees
into the secret passage and away to a ship that takes him into exile
forever.
Whew. Sob. It didn't turn out that way
in Naples,
but
I wish it had. That's much better than Garibaldi's
army just kicking
down the
damned door and marching in. (Actually, in September of 1860, Garibaldi
took
the train (!) for the last seven miles into the city and was greeted by
a
cheering throng.)
On February 19, 1853, King Ferdinand II of Bourbon, signed a
decree that gave to architect Errico Alvino
the task of building an
underground
passageway under Mt.
Echia (Pizzofalcone)
to connect the Royal Palace
with Piazza Vittoria. (Thus, the tunnel would bore beneath the cliff
upon which
stood the acropolis of the original Greek city of Parthenope,
well before "Neapolis"—Naples.)
This was not meant for pleasurable strolls in the Bat Cave
for the royal family or anything of such a social nature. The tunnel
was strictly military: it was meant to bring in troops to protect
the Royal
Palace,
if necessary; these troops were garrisoned on the other side
of Pizzofalcone near
Piazza Vittoria at via Pace (now via Domenico Morelli) in quarters at
Ferrantina square and at San
Pasquale di Chiaia. The tunnel would also provide
an escape route for the royal family. (What would happen
if the
troops running in ran into the kings and queens running out? I don't
know.)
The work was started immediately and then
interrupted in
1855 for technical reasons as well as the fact the revolutionary
turmoil was
moving faster than the people with shovels. The entire kingdom was
about to be engulfed
in a war to resist Garibaldi and subsequent incorporation into a united
Italy—a
war
that the Bourbons ultimately lost.
The end of the tunnel at via Domenico Morelli
had the
advantage of some "starter" caves to work with. These had actually been
quarries used to provide blocks of tuff rock for the many Spanish villas and
churches that sprang up in the 1500s and 1600s in the area. Thus,
one finds
inscribed dedications from as early as 1512 of a villa belonging to one
Andrea
Carafa, count of San Severino, and, from 1588, the quarry that provided
material for the church of the Nunziatella (converted
into the Bourbon military
academy in 1787).
In spite of the advantages of pre-dug
cavities in the area,
1855 builders started running into enormous difficulties due to the
large
number of cisterns and aqueducts still in use at the time below the
surface,
things that you could not simply dig through without interrupting (or
even
destroying) the water supply of tens of thousands of inhabitants in the
area.
The tunnel was left in an unfinished
state—that is, without
an exit near the royal palace, until 1939, when the Fascist government
decided
to convert it into an air raid shelter.
The entrance was on the north side of Piazza
Plebiscito from the building that now houses
the Naples prefecture. After
the war, the entrance was covered and forgotten about until 1968, when
local urban spelunker
Clemente Esposito (head of the organization called Napoli Underground)
uncovered it. The numbers are impressive: the original Bourbon tunnels
plus the
earlier Spanish quarries plus the aqueducts converted to air raid
shelters
(possible only after the new Naples aqueduct in
the late 1800s had made them no longer
necessary ) come out to 10,000 square meters
(that is, 10
sq. km or six square miles).
Until the 1970s the underground
area was used as a
"Municipal Deposit." What that really meant was a place to dump the
enormous amounts of wartime rubble. This includes not just the bricks
of
bombed-out buildings, but cars, motorcycles, old refrigerators,
statues, and,
generally speaking, accumulated broken bits and pieces of centuries of Naples. An
exhibition
about the tunnel was put on at the Castel
dell'Ovo a number of years ago. One
awaits further news of some final disposition of this latest
addition to
what Neapolitans now call "the other city," by which they mean the 700 (!) quarries and many
miles of ancient passageways beneath the
surface.
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I am
indebted to Clemente Esposito and his article "Il Tunnel Borbonico" on the
website of Napoli
Underground, by whose kind concession the above photo of the tunnel
also appears on this page.
(Also see Proud to be
a
Troglodyte!, Caves, and The
Cavern of Mithra)
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